Touch Tone 32
28th May 2007
CD - extended digipak
Artwork and photography by Jon Wozencroft
11 tracks - 51:56
This release features a duet between Christian Fennesz [guitar/lapop] and Ryuichi Sakamoto [piano/laptop] - a continuing collaboration between two highly regarded composers. Their first, 'Sala Santa Cecilia', was a 19 minute overture from their live performance in Rome in November 2004 [Touch # Tone 22, 2005]. Bill Meyer in Magnet (US) wrote: "Cross-generational encounters are never a sure thing, but this one strikes sparks" and Max Scaefer in Cyclic Defrost (USA): " a moment of much beauty, not to mention anticipation for the promised full-length effort to come." Tom Sekowski adds in Gaz-eta (USA): "We can only hope this astonishing collaboration will turn into something more tangible, more permanent." [more reviews on this release may be read at touchmusic.org.uk]
So now we have 'Cendre'... Cendre was recorded between 2004 and 2006 in New York City by Ryuichi Sakamoto and in Vienna by Christian Fennesz. They came together for the mix in New York City in February of that year. Fennesz would send Sakamoto a guitar or electronic track and Sakamoto would compose his piano piece. This process was also reversed - Sakamoto initiating the track with a piano composition and Fennesz responding. Meanwhile they met for live shows, or communicated via digital means to compare notes, swop ideas and develop themes... And the cyclical process continued right up until the final mix.
Ryuichi Sakamoto and Christian Fennesz blend the unstructured and imaginative qualities of improvisation with the satisfying sculpture of composition. Sakamoto's piano, his style reminiscent of Debussy and Satie, perfectly complements Fennesz with his powerful blend of shimmering guitar and passionate electronics.
Together they have combined to create 11 tracks of satisfying and challenging possibilities...
Ryuichi Sakamoto: Award-winning composer and musician Ryuichi Sakamoto has made a career of crossing musical and technological boundaries. Sakamoto has experimented with, and excelled in, many different musical styles, making a name for himself in popular, orchestral and film music. Never one to be satisfied with the status quo, Sakamoto continues to push the envelope of his artistry, marrying genres, styles and technologies for the first time to create new and exciting directions in musical expression. Sakamoto's best-known work is probably the soundtrack of Merry Christmas, Mr. Lawrence, which won him the Anthony Asquith Award for Film Music from the British Academy of Film and Television Arts (BAFTA). His subsequent score for Bernardo Bertolucci's 1987 film The Last Emperor won him an Oscar, a Grammy and a Golden Globe, as well as the Los Angeles Film Critics Association award and a BAFTA nomination for Best Original Score. In 1978, Sakamoto released his first solo album and formed Yellow Magic Orchestra along with Haruomi Hosono and Yukihiro Takahashi. YMO was immediately recognized as an international sensation from Japan. The group's second album sold well over a million copies and led to a world tour, making them, with Kraftwerk, the kings of technopop. Releasing eleven albums over the next five years, YMO developed a following that continues to the present day, and its influence on the rave, techno and ambient movements is widely recognized.
For a full biography and discography, go to ryuichi-sakamoto.com
Christian Fennesz uses guitar and computer to create shimmering, swirling electronic sound of enormous range and complex musicality. "Imagine the electric guitar severed from clich� and all of its physical limitations, shaping a bold new musical language." - (City Newspaper, USA). His lush and luminant compositions are anything but sterile computer experiments. They resemble sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece. His two latest studio albums, Venice [Touch, 2004] and Endless Summer [reissued on eMego, 2007] have set him apart from legions of glitch musicians working to a minimal, computer-based aesthetic. His next solo album will be released on Touch later in 2007.
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